[{"data":1,"prerenderedAt":700},["Reactive",2],{"_apollo:default":3,"_apollo:preview":698,"_apollo:shopify":699},{"SanityImageAsset:image-5a2a6344e09eb0d8efd6c6bde71b756f85200af1-3970x5294-png":4,"SanityImageAsset:image-94b298596c59088f46af825ac5222777d04d05f8-5472x3648-jpg":8,"SanityImageAsset:image-b1d8d57b2433ddd8ee077a1121473efc1314a7c8-8688x5792-jpg":11,"ROOT_QUERY":14},["null","__typename",5,"_id",6,"url",7,"id",6],"SanityImageAsset","image-5a2a6344e09eb0d8efd6c6bde71b756f85200af1-3970x5294-png","https://cdn.sanity.io/images/ay1kdiap/production/5a2a6344e09eb0d8efd6c6bde71b756f85200af1-3970x5294.png",["null","__typename",5,"_id",9,"url",10,"id",9],"image-94b298596c59088f46af825ac5222777d04d05f8-5472x3648-jpg","https://cdn.sanity.io/images/ay1kdiap/production/94b298596c59088f46af825ac5222777d04d05f8-5472x3648.jpg",["null","__typename",5,"_id",12,"url",13,"id",12],"image-b1d8d57b2433ddd8ee077a1121473efc1314a7c8-8688x5792-jpg","https://cdn.sanity.io/images/ay1kdiap/production/b1d8d57b2433ddd8ee077a1121473efc1314a7c8-8688x5792.jpg",["null","__typename",15,"allArtist({\"sort\":[{\"_updatedAt\":\"ASC\"}],\"where\":{\"slug\":{\"current\":{\"eq\":\"jordan-roth-artist\"}}}})",16],"Query",[17],["null","__typename",18,"accentColor",19,"detailsTextColor",23,"heroTextColor",25,"artworks",26,"artworksLabel",28,"bioRaw",29,"bioImage",41,"blurbRaw",26,"category",45,"cv",26,"exhibitions",46,"series",26,"firstName",51,"heroHeadline",26,"heroImage",65,"heroSubline",26,"heroVideo",26,"lastName",52,"seo",26,"press",68,"shortDescription",697],"Artist",["null","__typename",20,"label",21,"value",22],"SimplerColor","Custom","rgb(123, 79, 68)",["null","__typename",20,"value",24],"rgb(255, 255, 255)",["null","__typename",20,"label",26,"value",27],null,"#ffffff","Work",[30],{"_key":31,"_type":32,"children":33,"markDefs":39,"style":40},"ebbad90622a3","block",[34],{"_key":35,"_type":36,"marks":37,"text":38},"022d19b15666","span",[],"Jordan Roth’s multidisciplinary artistic practice is situated at the intersection of performance, art, and fashion. Roth debuted his performance work, Radical Acts of Unrelenting Beauty, in 2025 at the Musée du Louvre, Paris, and followed it with a performance presented by Performance Space New York at the Palazzo dei Fiori during the 2026 Venice Biennale. Television audiences know him as Steven in The Shards, Ryan Murphy’s FX adaptation of Bret Eaton Ellis’s novel. After studying philosophy and drama at Princeton University and later earning an MBA from Columbia University, Roth forged a path in the world of theater, where his success as a Broadway producer and theater operator earned him seven Tony Awards. His first book, documenting the Louvre project, will launch in Paris during Art Basel Paris and Design Miami Paris in October 2026.",[],"normal",["null","__typename",42,"alt",26,"asset",43,"captionRaw",26,"captionColor",26],"Img",{"__ref":44},"SanityImageAsset:image-5a2a6344e09eb0d8efd6c6bde71b756f85200af1-3970x5294-png","artist",[47],["null","__typename",48,"artists",49,"closingDate",53,"featuredImage",54,"featuredVideo",26,"location",57,"name",60,"openingDate",61,"slug",62],"Exhibition",[50],["null","__typename",18,"firstName",51,"lastName",52],"Jordan","Roth","2026-10-25",["null","__typename",42,"alt",26,"asset",55],{"__ref":56},"SanityImageAsset:image-94b298596c59088f46af825ac5222777d04d05f8-5472x3648-jpg",["null","__typename",58,"name",59],"Location","72 Rue de l'Université","To Think of the Tranquil Life of Things","2026-10-20",["null","__typename",63,"current",64],"Slug","jordan-roth-to-think-of-the-tranquil-life-of-things",["null","__typename",42,"alt",26,"asset",66,"captionRaw",26,"captionColor",26],{"__ref":67},"SanityImageAsset:image-b1d8d57b2433ddd8ee077a1121473efc1314a7c8-8688x5792-jpg",[69,117,469,572],["null","__typename",70,"articleRaw",71,"author",112,"link",113,"pdf",26,"publicationDate",114,"publisher",115,"title",116],"Press",[72,80,88,96,104],{"_key":73,"_type":32,"children":74,"markDefs":79,"style":40},"f61835aa2303",[75],{"_key":76,"_type":36,"marks":77,"text":78},"cebe9d7eeeb1",[],"Jordan Roth presents a magnificent artistic installation in a unique Parisian hôtel particulier, transforming the space into a dreamlike, almost ghostly world.",[],{"_key":81,"_type":32,"children":82,"markDefs":87,"style":40},"ddd45a77350d",[83],{"_key":84,"_type":36,"marks":85,"text":86},"9b7ccb78d6d0",[],"Inspired by leaving his home of fifteen years, Roth photographed himself wearing clothes that reflected different moments of his life, seated on the furniture that had surrounded him. These self-portraits were then printed onto textiles and draped over the same pieces, turning familiar objects into sculptural works charged with memory.",[],{"_key":89,"_type":32,"children":90,"markDefs":95,"style":40},"8dfc54bf776d",[91],{"_key":92,"_type":36,"marks":93,"text":94},"1723bd7be317",[],"The entire apartment becomes a phantasmagorical environment, where Roth’s face, body, and extravagant looks seem to float through the rooms, merging with the furniture and decoration in a light, magical atmosphere. His presence is everywhere, yet remains strangely elusive.",[],{"_key":97,"_type":32,"children":98,"markDefs":103,"style":40},"5f12233773a7",[99],{"_key":100,"_type":36,"marks":101,"text":102},"fd63a28c7795",[],"Known for his extraordinary ability to reinvent himself through the most eccentric couture creations, Roth is becoming a truly Warholian artist. Rather than simply elevating fashion into art, he uses both as instruments of permanent metamorphosis, transforming his own image, identity, and dream lifestyle into an ever-evolving artistic creation.",[],{"_key":105,"_type":32,"children":106,"markDefs":111,"style":40},"15e41ea6c4d3",[107],{"_key":108,"_type":36,"marks":109,"text":110},"4d1642e0cca5",[],"On view until October 25th at 72 Rue de l’Université in Paris, in partnership with Design Miami & Salon 94 Design",[],"The Editors","https://purple.fr/diary/last-days-of-to-think-of-the-tranquil-life-of-things-by-jordan-roth-on-view-in-paris/","2026-10-22","Purple","Last days of “To Think of The Tranquil Life of Things” by Jordan Roth on view in Paris",["null","__typename",70,"articleRaw",118,"author",465,"link",466,"pdf",26,"publicationDate",61,"publisher",467,"title",468],[119,128,136,144,152,169,177,185,201,209,217,225,233,241,249,257,265,273,281,289,297,305,313,321,329,337,345,353,361,369,377,385,393,401,409,417,425,433,441,449,457],{"_key":120,"_type":32,"children":121,"markDefs":127,"style":40},"08f7c00fbdd9",[122],{"_key":123,"_type":36,"marks":124,"text":126},"afaf72a05b40",[125],"strong","From Miu Miu’s collaboration with director Alice Diop to Jordan Roth’s intimate world of memory.",[],{"_key":129,"_type":32,"children":130,"markDefs":135,"style":40},"159941dcf20c",[131],{"_key":132,"_type":36,"marks":133,"text":134},"eb5170b5f4eb",[],"Paris doesn’t need an art fair to convince it of its own importance. What Art Basel supplies is an audience with the stamina—and the dinner reservations—to keep up. This October, the city’s cultural life spills into private apartments, historic salons, and fashion’s favorite architectural landmarks, with an itinerary that makes punctuality feel like an unreasonable ambition.",[],{"_key":137,"_type":32,"children":138,"markDefs":143,"style":40},"19b7150e6a43",[139],{"_key":140,"_type":36,"marks":141,"text":142},"256eaca90ef2",[],"What interests me most this year is how many of these projects bring art into intimate territory. Furniture becomes autobiography. A fragrance changes how we encounter a work. Paintings take their places in rooms where one might actually sit down and have a conversation. There is spectacle, certainly, but there is also an invitation to stay a little longer. Between the fair appointments and the inevitable traffic, these are the moments I would make room for this week.",[],{"_key":145,"_type":32,"children":146,"markDefs":151,"style":40},"ee447ae5f9d8",[147],{"_key":148,"_type":36,"marks":149,"text":150},"50eabcaccdc3",[125],"Miu Miu and Alice Diop Reconsider the Gaze",[],{"_key":153,"_type":32,"children":154,"markDefs":168,"style":40},"62c363c572da",[155,159,164],{"_key":156,"_type":36,"marks":157,"text":158},"c61df979d4a2",[],"At the Palais d’Iéna, the venue that often houses Miu Miu runway shows, filmmaker Alice Diop turns the act of looking into the subject itself. Conceived at Miuccia Prada’s invitation, the exhibition “Geste de Consolation” expands the conversation that started with Diop’s film ",{"_key":160,"_type":36,"marks":161,"text":163},"f08e67d5d4fd",[162],"em","Fragments of Genius, ",{"_key":165,"_type":36,"marks":166,"text":167},"d788ac899d68",[],"part of Miu Miu Women’s Tales, a series of short films made in collaboration with the brand.",[],{"_key":170,"_type":32,"children":171,"markDefs":176,"style":40},"001bd069028c",[172],{"_key":173,"_type":36,"marks":174,"text":175},"58cf757050b6",[],"Photography, cinema, literature, sculpture, and live performance come together around the representation of Black women—and the possibilities of reclaiming it. A photograph by Zanele Muholi opens the journey. Further inside, a library furnished with richly colored carpets bearing a motif by Mary Lee Bendolph offers space to read and linger; texts by writers including Audre Lorde and Zora Neale Hurston enter the room through live readings. Simone Leigh’s nearly five-meter bronze “Sentinel (Mami Wata)” provides a formidable concluding presence.",[],{"_key":178,"_type":32,"children":179,"markDefs":184,"style":40},"7927a8590e95",[180],{"_key":181,"_type":36,"marks":182,"text":183},"5f253f7e2ab2",[],"The library is an especially compelling gesture: a portrait of an intellectual life made available for others to inhabit. During a week devoted to the business of looking, Diop asks us to consider who has shaped our gaze.",[],{"_key":186,"_type":32,"children":187,"markDefs":200,"style":40},"438440122fa6",[188,192,196],{"_key":189,"_type":36,"marks":190,"text":191},"f6d2bed21bfe",[162],"Palais d’Iéna, October 21",{"_key":193,"_type":36,"marks":194,"text":195},"9a7d6358d402",[],"–",{"_key":197,"_type":36,"marks":198,"text":199},"3202d3f4e0e2",[162],"25; preview October 20.",[],{"_key":202,"_type":32,"children":203,"markDefs":208,"style":40},"d3e345932e43",[204],{"_key":205,"_type":36,"marks":206,"text":207},"af9d84a2b388",[125],"Jordan Roth Dresses Furniture ‘in Memory’",[],{"_key":210,"_type":32,"children":211,"markDefs":216,"style":40},"51eab06ee0f1",[212],{"_key":213,"_type":36,"marks":214,"text":215},"8fff29d7992a",[],"Moving house usually involves a reckoning with one’s possessions. Jordan Roth turned his into an exhibition. On the last day in the New York apartment he had occupied for 15 years, with the movers waiting, Roth photographed himself on its furniture in 16 looks worn during his life there. They traced an evolution from the dark Prada suit he once adopted as a young theater producer to the expansive fashion vocabulary that followed. The resulting photographic collages, printed on silk and draped over furniture, become the substance of “To Think of the Tranquil Life of Things,” presented at the Hôtel de Guise in partnership with Design Miami.",[],{"_key":218,"_type":32,"children":219,"markDefs":224,"style":40},"b36ede9d53b3",[220],{"_key":221,"_type":36,"marks":222,"text":223},"b54216185524",[],"“I am basically creating clothes for furniture,” Roth tells me. The effect is an intricate layering of body, image, and object: furniture carrying pictures of the life it has already witnessed.",[],{"_key":226,"_type":32,"children":227,"markDefs":232,"style":40},"e71df9159a02",[228],{"_key":229,"_type":36,"marks":230,"text":231},"c23b5d06706a",[],"The most apt example is a chair in which Roth fed his infant son and his husband wrote his book. Its emotional significance survives the journey to Paris, where the exhibition begins with a monumental assemblage of stacked furniture before unfolding into rooms that move from domestic recreation toward dream.",[],{"_key":234,"_type":32,"children":235,"markDefs":240,"style":40},"d4f28e35b834",[236],{"_key":237,"_type":36,"marks":238,"text":239},"ecacec1eb75b",[],"“The chair carries its entire context with it, even out of context,” Roth says. For all the theatricality, the proposition is remarkably tender. Consider what your own favorite chair might remember.",[],{"_key":242,"_type":32,"children":243,"markDefs":248,"style":40},"ec3e60dfda75",[244],{"_key":245,"_type":36,"marks":246,"text":247},"a08b4d789d94",[162],"Hôtel de Guise, 72 Rue de l’Université, October 20–25. Reservations recommended.",[],{"_key":250,"_type":32,"children":251,"markDefs":256,"style":40},"8004431b5993",[252],{"_key":253,"_type":36,"marks":254,"text":255},"afa3522bb0d2",[125],"Kennedy Yanko Gives Historic Architecture a New Physicality",[],{"_key":258,"_type":32,"children":259,"markDefs":264,"style":40},"ec949163d392",[260],{"_key":261,"_type":36,"marks":262,"text":263},"52df3723e0b3",[],"Kennedy Yanko’s sculptures have the unsettling ability to make metal appear supple and paint seem bodily. At the Cité de l’architecture et du patrimoine, that tension acquires an extraordinary backdrop: the monumental casts and architectural portals of the museum’s Medieval and Classical Art Gallery.",[],{"_key":266,"_type":32,"children":267,"markDefs":272,"style":40},"a1099716719d",[268],{"_key":269,"_type":36,"marks":270,"text":271},"1b8c05cc2011",[],"Curated by Matthieu Poirier, “Ce qui nous rassemble” (“What unites us”) places Yanko’s vivid constructions throughout nearly 5,000 square feet, with much of the work conceived specifically for the setting. Bent and welded metal meets her distinctive paint skins—thick layers of acrylic, dried and manipulated into forms that fold, curl, and settle around their supports.",[],{"_key":274,"_type":32,"children":275,"markDefs":280,"style":40},"fb1cbc8f75ae",[276],{"_key":277,"_type":36,"marks":278,"text":279},"5e0fcbdee254",[],"There is something almost sartorial in the relationship between those skins and their steel structures, although the force holding everything together is decidedly sculptural. Against the historic casts, the works invite a closer examination of how both sculpture and architecture are built: what bears the weight, what covers it, and what is allowed to show. The Eiffel Tower may be outside, but there is ample reason to keep your attention indoors.",[],{"_key":282,"_type":32,"children":283,"markDefs":288,"style":40},"a92fa384a68f",[284],{"_key":285,"_type":36,"marks":286,"text":287},"0653cb99d6a5",[162],"Cité de l’architecture et du patrimoine, 1 Place du Trocadéro, through Jan. 3, 2027.",[],{"_key":290,"_type":32,"children":291,"markDefs":296,"style":40},"9e22d39ac7bd",[292],{"_key":293,"_type":36,"marks":294,"text":295},"4b40e2e962ab",[125],"Guerlain Awakens All the Senses",[],{"_key":298,"_type":32,"children":299,"markDefs":304,"style":40},"ce9a35b78d44",[300],{"_key":301,"_type":36,"marks":302,"text":303},"d1b7ef48b705",[],"Dusk has long belonged to painters, poets, and people who understand when to order a drink. At Guerlain, it becomes the starting point for “L’Heure des Possibles,” an exhibition exploring that suspended interval when daylight gives way and perception begins to shift.",[],{"_key":306,"_type":32,"children":307,"markDefs":312,"style":40},"4837d1c41ed3",[308],{"_key":309,"_type":36,"marks":310,"text":311},"87906b478383",[],"Curated by Hervé Mikaeloff and Benoît Baume, the presentation brings together around 30 international artists at the maison’s Champs-Élysées address. James Turrell’s investigations of light, Rineke Dijkstra’s portraits, and works by Christian Boltanski and Annette Messager enter a conversation about transformation, memory, and possibility. Guerlain perfumer Delphine Jelk adds olfactory interpretations conceived in dialogue with selected works.",[],{"_key":314,"_type":32,"children":315,"markDefs":320,"style":40},"493815da5d08",[316],{"_key":317,"_type":36,"marks":318,"text":319},"afc466e8e136",[],"“I hope visitors discover that art is not only something we look at, but something we feel, remember, and inhabit,” Mikaeloff says. “Scent has a unique ability to awaken emotions and memories that often escape visual perception.”",[],{"_key":322,"_type":32,"children":323,"markDefs":328,"style":40},"91a2303a0fef",[324],{"_key":325,"_type":36,"marks":326,"text":327},"7fd12d6bf48b",[],"It is a persuasive reason to slow down. An image may command your attention; a scent can return you, without warning, to a room you thought you had forgotten.",[],{"_key":330,"_type":32,"children":331,"markDefs":336,"style":40},"e5587b0d4ac1",[332],{"_key":333,"_type":36,"marks":334,"text":335},"941d3b375f76",[162],"Maison Guerlain, 68 Avenue des Champs-Élysées, October 21–November 15. Admission is free.",[],{"_key":338,"_type":32,"children":339,"markDefs":344,"style":40},"1b4ce41f0c27",[340],{"_key":341,"_type":36,"marks":342,"text":343},"eeb4e84bb72c",[125],"Rocco Ritchie Moves Into Pierre Augustin Rose",[],{"_key":346,"_type":32,"children":347,"markDefs":352,"style":40},"5d3ba4d499f0",[348],{"_key":349,"_type":36,"marks":350,"text":351},"9f5003567f2c",[],"A painting’s neighbors matter. At Pierre Augustin Rose’s Hérold gallery, Rocco Ritchie’s figurative work takes its place among the house’s furniture, objects, and carefully considered materials, allowing the surrounding interior to become part of the encounter.",[],{"_key":354,"_type":32,"children":355,"markDefs":360,"style":40},"cf64487b0e9c",[356],{"_key":357,"_type":36,"marks":358,"text":359},"e89e0de879c2",[],"Ritchie, who studied at Central Saint Martins and the Royal Drawing School, works through expressive brushwork and layered surfaces, with observation and autobiography informing his treatment of the human figure. Here, those figures meet the sculptural forms of a house whose founders—Pierre Bénard, Augustin Deleuze, and Nina Rose—approach their galleries as extensions of their own domestic worlds.",[],{"_key":362,"_type":32,"children":363,"markDefs":368,"style":40},"15c64a6b896e",[364],{"_key":365,"_type":36,"marks":366,"text":367},"f12df3084bd1",[],"The appeal lies in the proximity: a painted contour beside a piece of furniture, a surface answering a texture, a room giving a picture a different temperament. For anyone whose interest in collecting begins with the question of how to live with something, this is a particularly relevant stop.",[],{"_key":370,"_type":32,"children":371,"markDefs":376,"style":40},"b693fc59bbbb",[372],{"_key":373,"_type":36,"marks":374,"text":375},"415f7481ade4",[162],"Pierre Augustin Rose, 8 Rue Hérold, during Art Basel Paris.",[],{"_key":378,"_type":32,"children":379,"markDefs":384,"style":40},"281baf65fbae",[380],{"_key":381,"_type":36,"marks":382,"text":383},"ae923f0e775e",[125],"Chez Sotheby’s Turns Lunch Into an Art Form",[],{"_key":386,"_type":32,"children":387,"markDefs":392,"style":40},"fd3ff6593680",[388],{"_key":389,"_type":36,"marks":390,"text":391},"10b147060cd8",[],"Nearly $150 million in art, a Parisian apartment overlooking the Tuileries, and cocktails by Colin Field: Chez Sotheby’s has assembled a rather persuasive argument against eating at one’s desk.",[],{"_key":394,"_type":32,"children":395,"markDefs":400,"style":40},"217db84fd426",[396],{"_key":397,"_type":36,"marks":398,"text":399},"a556c2e7e6b7",[],"Conceived by Sotheby’s and Valerio Polimeno’s creative practice, _POLIMENO, the project brings works by artists including Picasso, Matisse, Warhol, and Richter into a setting designed for conversation and lingering. A restaurant by Tarek Shamma anchors the experience, with a menu from Atelier Renata’s Erika Blu and drinks from the former head barman of the Ritz’s Hemingway Bar.",[],{"_key":402,"_type":32,"children":403,"markDefs":408,"style":40},"8e977bfb71d2",[404],{"_key":405,"_type":36,"marks":406,"text":407},"44b503f10a58",[],"“You’re not just looking at an artwork, you’re seeing how it can become part of a space and part of everyday life,” says David Rothschild, Sotheby’s head of contemporary art, private sales, U.K. and global lead private sales exhibitions.",[],{"_key":410,"_type":32,"children":411,"markDefs":416,"style":40},"ab5ba4be8cf1",[412],{"_key":413,"_type":36,"marks":414,"text":415},"e9cb080fd625",[],"For Polimeno, discussing art is “a beautiful way to start a conversation and get to know someone better.” Asked about the atmosphere he wanted to create, he points to the Rothko above an 18th-century French console in Pierre and São Schlumberger’s Hôtel de Luzy—a telling reference for a project rooted in the personalities of great collecting households.",[],{"_key":418,"_type":32,"children":419,"markDefs":424,"style":40},"50c0b8d9eb16",[420],{"_key":421,"_type":36,"marks":422,"text":423},"468c736f8c41",[],"The art is available for private sale. The pleasure of imagining it in your own life comes considerably more easily.",[],{"_key":426,"_type":32,"children":427,"markDefs":432,"style":40},"ce8be985de6f",[428],{"_key":429,"_type":36,"marks":430,"text":431},"fb9655b2e9e1",[162],"Rue de Rivoli, October 19–24, 10 A.M. to 6 P.M. Address available on request; lunch reservations required.",[],{"_key":434,"_type":32,"children":435,"markDefs":440,"style":40},"4b7f56dad1c9",[436],{"_key":437,"_type":36,"marks":438,"text":439},"d1dbbc4f8674",[125],"Atelier Partners Makes Paris More Private",[],{"_key":442,"_type":32,"children":443,"markDefs":448,"style":40},"38a06854451c",[444],{"_key":445,"_type":36,"marks":446,"text":447},"133566786bee",[],"Atelier Partners is teaming up with Design Miami to operate its global collectors program, beginning with Paris this week.",[],{"_key":450,"_type":32,"children":451,"markDefs":456,"style":40},"b443cc5ab12d",[452],{"_key":453,"_type":36,"marks":454,"text":455},"ba9125f5b269",[],"The itinerary brings together exclusive dinners, a private tour with Diana Widmaier Picasso, an exhibition preview with Jordan Roth, and cocktails at architect and designer Jacques Garcia’s home. The goal is to bring collectors into closer conversation with the people and places that give art and design their character.",[],{"_key":458,"_type":32,"children":459,"markDefs":464,"style":40},"538f682a5d14",[460],{"_key":461,"_type":36,"marks":462,"text":463},"8979dfbaa7b4",[],"Paris provides an exceptional beginning. Some of its most memorable cultural encounters still start with someone opening their front door.",[],"Hassan Pierre","https://www.elle.com/culture/art-design/a74179832/art-basel-paris-2026-best-shows/","ELLE","The 7 Art Basel Paris 2026 Shows and Presentations Everyone Will Be Talking About",["null","__typename",70,"articleRaw",470,"author",568,"link",569,"pdf",26,"publicationDate",570,"publisher",530,"title",571],[471,479,495,520,536,544,552,560],{"_key":472,"_type":32,"children":473,"markDefs":478,"style":40},"ad558e68636e",[474],{"_key":475,"_type":36,"marks":476,"text":477},"522eddcdc5db",[125],"In partnership with Design Miami, the award-winning producer debuts a new art installation, “To Think of the Tranquil Life of Things.”",[],{"_key":480,"_type":32,"children":481,"markDefs":494,"style":40},"811c06b4fcd7",[482,486,490],{"_key":483,"_type":36,"marks":484,"text":485},"2c5a6bcce1b1",[],"rdan Roth has seven Tony Awards, an enviable couture collection, and, most recently, an acting credit on Ryan Murphy’s new series ",{"_key":487,"_type":36,"marks":488,"text":489},"b24a7629b683",[162],"The Shards",{"_key":491,"_type":36,"marks":492,"text":493},"233421ff220f",[],". This week, the Broadway producer is adding his own Parisian art installation to the list.",[],{"_key":496,"_type":32,"children":497,"markDefs":519,"style":40},"b11eda90d6ea",[498,502,507,511,515],{"_key":499,"_type":36,"marks":500,"text":501},"bd22b6972b32",[],"In partnership with Design Miami and Salon 94 Design, Roth is taking over the Hôtel de Guise, filling the 18th century hôtel particulier with a collection of pieces he created. In this new installation, called “To Think of the Tranquil Life of Things,” Roth transposes his West Village apartment, ",{"_key":503,"_type":36,"marks":504,"text":506},"e8b6bef7ec1d",[505],"underline","featured in ",{"_key":508,"_type":36,"marks":509,"text":510},"7f609790811d",[505,162],"ELLE Decor ",{"_key":512,"_type":36,"marks":513,"text":514},"64767a80d151",[505],"in 2016",{"_key":516,"_type":36,"marks":517,"text":518},"5cd1b111b2d8",[]," firm Charlap Hyman & Herrero, visitors will find 16 images of Roth, each printed on a swath of fabric and draped over an individual piece of furniture.",[],{"_key":521,"_type":32,"children":522,"markDefs":535,"style":40},"e3e63269bf32",[523,527,531],{"_key":524,"_type":36,"marks":525,"text":526},"e95c655f3894",[],"Roth came up with the idea when he and his husband, Richie Jackson, were moving out of the New York apartment where Roth had spent the past 15 years and where, Roth says, “so much life happened.” He tells ",{"_key":528,"_type":36,"marks":529,"text":530},"3fa0308385c9",[162],"ELLE Decor",{"_key":532,"_type":36,"marks":533,"text":534},"debd9b9e319f",[],", “I wanted to record this life. It’s about the way in which the objects we live with carry stories.”",[],{"_key":537,"_type":32,"children":538,"markDefs":543,"style":40},"e0be18100f19",[539],{"_key":540,"_type":36,"marks":541,"text":542},"ef5723ed2a77",[],"The exhibit’s big moment comes in the form of the “chintz room,” a space where the furniture is covered in a fabric printed with dahlias, the flowers Roth grows and loves. While the installation is personal, Roth hopes his visitors also take with them an opportunity for self-reflection.",[],{"_key":545,"_type":32,"children":546,"markDefs":551,"style":40},"a89aa3d04552",[547],{"_key":548,"_type":36,"marks":549,"text":550},"16087107cbc8",[],"“I would be really happy if somebody came to experience this work and then went home and sat on their own couch,” he says, “and started to see their own history and aesthetic evolution and the narrative it holds.”",[],{"_key":553,"_type":32,"children":554,"markDefs":559,"style":40},"2aa589c881c9",[555],{"_key":556,"_type":36,"marks":557,"text":558},"472f298c8a18",[162],"Jordan Roth’s “To Think of the Tranquil Life of Things” will be on view October 20 to 25, 2026 at the Hôtel de Guise, 72 rue de l’Université. ",[],{"_key":561,"_type":32,"children":562,"markDefs":567,"style":40},"3aff3d2a74be",[563],{"_key":564,"_type":36,"marks":565,"text":566},"dfba6fda85e9",[],"\n",[],"Gay Gassman","https://www.elledecor.com/life-culture/a74183752/jordan-roth-design-miami-paris-exhibit/","2026-10-19","Jordan Roth Recreates His West Village Apartment in a Parisian Hôtel Particulier",["null","__typename",70,"articleRaw",573,"author",693,"link",694,"pdf",26,"publicationDate",61,"publisher",695,"title",696],[574,582,645,669,685],{"_key":575,"_type":32,"children":576,"markDefs":581,"style":40},"317a8db7a0c9",[577],{"_key":578,"_type":36,"marks":579,"text":580},"d49a417017f9",[125],"“To Think of the Tranquil Life of Things” reimagines the artful trailblazer’s past home in a unique intersection of memory, transformation, and design.",[],{"_key":583,"_type":32,"children":584,"markDefs":644,"style":40},"6c4b4f51ad3a",[585,589,593,597,601,605,609,613,617,621,625,629,633,637,640],{"_key":586,"_type":36,"marks":587,"text":588},"3b8c9a354a53",[],"Jordan Roth’s first claim to fame is as a Broadway producer behind hits like ",{"_key":590,"_type":36,"marks":591,"text":592},"714fa37c3241",[162],"Angels in America",{"_key":594,"_type":36,"marks":595,"text":596},"98e758e9d00e",[],", ",{"_key":598,"_type":36,"marks":599,"text":600},"a51258ea8701",[162],"The Book of Mormon, Kinky Boots, Hadestown",{"_key":602,"_type":36,"marks":603,"text":604},"909749de7b26",[],", and ",{"_key":606,"_type":36,"marks":607,"text":608},"fe6e6becbed5",[162],"Moulin Rouge!",{"_key":610,"_type":36,"marks":611,"text":612},"df981af2447b",[],", but this week, he has ",{"_key":614,"_type":36,"marks":615,"text":616},"19485cdd2915",[125],"Paris",{"_key":618,"_type":36,"marks":619,"text":620},"c590012bb31b",[]," abuzz with his new installation at the Hôtel de Guise. The ",{"_key":622,"_type":36,"marks":623,"text":624},"bcd2ba1e9aa7",[125],"exhibit",{"_key":626,"_type":36,"marks":627,"text":628},"5bab02dfb646",[]," is presented in partnership with ",{"_key":630,"_type":36,"marks":631,"text":632},"6c1908c2ff80",[125],"Design Miami",{"_key":634,"_type":36,"marks":635,"text":636},"785b264e1acf",[]," and Salon 94 Design, and transports a reimagining of his elegant former West Village apartment to the 7th Arrondissement. Entitled “",{"_key":638,"_type":36,"marks":639,"text":60},"77cf4278a3da",[125],{"_key":641,"_type":36,"marks":642,"text":643},"acf1f81d56fa",[],",” it is not a direct copy of the apartment. Rather, it is more of an immersive distillation of Roth’s erstwhile domestic habitat and his evolution during the 15 years that he lived there.",[],{"_key":646,"_type":32,"children":647,"markDefs":668,"style":40},"be2a31248e35",[648,652,656,660,664],{"_key":649,"_type":36,"marks":650,"text":651},"b30de52370c6",[],"This is Roth’s first venture into functional design and performative sculpture. He was inspired by Georges Perec’s 1978 novel ",{"_key":653,"_type":36,"marks":654,"text":655},"f7cbd1aa3f28",[162],"Life: A User’s Manual",{"_key":657,"_type":36,"marks":658,"text":659},"62022fef381a",[],", a book that structures itself around the ",{"_key":661,"_type":36,"marks":662,"text":663},"cb44dc0c3004",[125],"interiors",{"_key":665,"_type":36,"marks":666,"text":667},"28f383d6a908",[]," of a Paris apartment building and the accumulation of lives within. But the impetus was Roth’s departure from the apartment he lived in when his son was born.",[],{"_key":670,"_type":32,"children":671,"markDefs":684,"style":40},"d68f6a0fba84",[672,676,680],{"_key":673,"_type":36,"marks":674,"text":675},"7be1c1825724",[],"The 18th-century ",{"_key":677,"_type":36,"marks":678,"text":679},"dfc53416f20a",[162],"hôtel particulier",{"_key":681,"_type":36,"marks":682,"text":683},"dee4e4a74f1c",[]," at 72 Rue de l’Université makes for a stunning backdrop. Visitors wandering through the rooms will see furnishings draped in swaths of cloth decorated with photo collages of Roth. It’s about memory: the producer artist posed as versions of himself from various points in his time in the apartment, dressed in the outfits he had worn there. The photos on the textiles were taken by photographer Ben Hassett, and the Roth in them is the current one, recalling former selves. This creates an uncanny effect reminiscent of neurological phenomena where personal recollections of past events are less a direct recall than a memory of the most recent revisitation of the memory.",[],{"_key":686,"_type":32,"children":687,"markDefs":692,"style":40},"b5ceeecccc28",[688],{"_key":689,"_type":36,"marks":690,"text":691},"d950a3d691ce",[162],"“To Think the Tranquil Life of Things” is on view at the Hôtel de Guise, 72 Rue de l’Université in Paris, October 19–25.",[],"Rena Gross","https://galeriemagazine.com/jordan-roth-transposes-his-showstopping-west-village-apartment-to-paris-art-week/","Galerie","Jordan Roth Transports His Showstopping West Village Apartment to Paris Art Week","Born in New York, 1985",{},{},1794432614974]